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Assorted Lea Stein brooches

LEA STEIN

Lea and Fernand Stein have been making Lea Stein jewellery since the 1960’s. Their earliest work included buttons and serigraphy brooches. The Fox is the most famous of the Lea Stein designs and was one of her earliest. The jewellery is made of laminated celluloid acetate sheets. (See “Lea Stein Jewellery” by Judith Just – Schiffer books). Lea Stein jewellery is still being made today. Lea is the designer and Fernand invented the technical process. I cannot date pieces accurately. From the book – and from my knowledge of when a design was first issued – I can say that a certain piece could not be before a certain date. As pieces like the Fox have been produced since the 1970’s – and are still being made today – I can only guess! I advise customers to buy what appeals to them – if the design and its colours are what they want – the date is not the important issue! These pieces are handmade and sometimes have small imperfections on the back – as can happen with such pieces. I try to be particular about the fronts. A couple of new designs are introduced each year. Please beware that there are cheap, unmarked imitations being produced that look very similar. These do not have the Lea Stein marked pin on the back – Lea Stein Paris. I now understand that some of the fakes are marked on the back – but the quality is just not the same. All but some of the earliest Lea Stein pieces are marked.
saphiret glass jewellery

SAPHIRET GLASS

Syblle Jargstort says in her book “Baubles, Buttons and Beads” (Schiffer) that saphiret glass was created in the 19th century. The 2 tone effect – varying from brick red to sapphire blue – was made by mixing gold to a basic sapphire blue glass. She gives examples from Gablonz up to the 1930’s. It was expensive to make. Diane de Mango – illusionjewels.com – says that later stones – which she calls sapharine – were made in Germany. They are not as distinctive as the older ones. The examples in the picture are from my own collection and the dates vary – I particularly like the necklace. Saphiret stones are difficult to photograph – do look at other examples on the internet to become familiar with the difference in colour in the older and later stones.

Pavone red cat Titi brooch

PAVONE

Marie-Christine Pavone – Paris – makes hand worked pieces in galalith. Galalith is a form of casein (an old type of plastic) to which formaldehyde is added. It cannot be moulded (unlike other plastics). It is dyed and polished. According to Judy Smith on her website – “Baubles and Bibelots” Marie-Christine first sands, cuts and polishes the galalith in a machine for days. It is then dyed, polished by hand, lacquered and hand painted. There is a lot of work in a Pavone brooch! She makes brooches, earrings and bracelets! Her work is very popular in my shop. She has a great Instagram page.

Tinashe for Dazed Nov. 2015

DAZED & CONFUSED MAGAZINE – NOVEMBER 2015 – TINASHE

This is an iconic Tinashe photograph by Sean and Seng and styled by Robbie Spencer in Dazed and Confused magazine in November 2015. It was a very collected cover. The earrings are new – copies of the old bakelite cherry jewellery. They have been very popular in the shop.

green galalith dragon clip

GALALITH

Galalith is an early plastic – used mainly between the 1920-40s. It was invented – in the late 19th century by Spilleler and Krisch. It was not patented until 1906. It is a casein plastic made from sour milk combined with formaldehyde. It was also known as Erinoid, Karolith and Aladdinite. It could be moulded by heating and also cut. The Charles Horner Company – in the UK – had their own range of items made from Casein – which they marketed as Dorcasine and continued to use this material until the late 1970’s. Some wonderful jewellery was made from Galalith. Current jewellery makers like Marie Christine Pavone buy old pieces of galalith and rework it. I do try to stock some Pavone – I love her sense of humour! There is plenty of more detailed info on Galalith on Google.

Charles Horner red snake brooch

CHARLES HORNER

The firm of Charles Horner was established in Halifax in the middle of the 1900’s and the business continued until it was liquidised in 1984. Charles Horner is famous for its silverware – hat pins especially! What was not generally known until the book ‘Charles Horner of Halifax’ (by Tom J. Lawson and published by GML Publishing) was written was the firm’s diversification into casein plastics This is what particularly interests me! The firm’s main production in which they called ‘Dorcasine’ was between the 1920s and the 1940s – but production continued until the 1970s. They made a lot of buttons, knitting needles and sewing accessories, propelling pencils and brooches. A lot of the vintage dog brooches of the period were made by the Charles Horner factory. Having the book has helped me to identify many of the unmarked pieces I have sold over the years!

Tatler Mag. March 20

TATLER MAGAZINE – MARCH 2020 -BEST IN SHOW – HERMES

The article ‘Best in Show’ featured twelve ‘Looks’ from the spring 2020 fashion shows. Each ‘Look’ was a different designer. I had a pair of faux pearl earrings in the Hermes, Dolce & Gabbana and Armani shots. This shot is the Hermes one. Each shot also featured a dog – it was Crufts at the time! Photographer Luc Braquet, Stylist Sophie Pera and Model Stina Papp at Le Management.

Jacob Bengel jewellery set

JAKOB BENGEL

The Jakob Bengel factory was founded in 1873 in Idar-Oberstein – and started by making watch chains. They began making jewellery around 1900 – mainly exporting to France. In 1928 Coca Chanel made costume jewellery acceptable and the firm expanded. The Bengel factory is best known for its stunning Art Deco jewellery in mainly white metals and galalith. The range was huge and the Art Deco designs superb. Unfortunately the war interrupted exports and by 1943 the only market left was Italy. In the 1950’s the factory was mainly making chains. In 2001 the Stifling Bengel was founded and the factory became a museum (and they have a Facebook page!). It doesn’t say in the books – but some years ago a lot of the jewellery and components left in the factory from the downturn was sold off. I bought some jewellery and components (unfortunately not the best!). Some of it was Art Deco and some earlier. I still have a quantity of the components that I use for repair. This is why it is so difficult to identify Jakob Bengel Art Deco jewellery when you get a piece. It could be completely original. It could be assembled from Bengel components. It could be a mixture. Some pieces I have seen have been rechromed. It could be painted/repainted – and it could be a fake! I do my best to accurately describe a piece from my experience of handling Jakob Bengel components and my reference books – but I can be mistaken! However the Art Deco designs/output of this factory in the 1930’s was just amazing! “Art Deco Schmuck” Christianne Weber – Arnoldsche “Bengel Art Deco Schmuch” Wilhelm Lindemann & Others – Arnoldsche “Zeitgeist” W. Lindemann & Anne Babara Knerr -Arnoldsche.